Victoria Alexander has been selected for a three-year term as a Fulbright Specialist, available to serve institutions in over 150 countries worldwide. Alexander is an expert in Vladimir Nabokov’s non-gradualist approach to the evolution of insect mimicry.
“As the number of students interested in arts and humanities programs declines worldwide, my work has focused on showing how these disciplines are vital to developing critical and creative thinking skills. My specialty, biosemiotics (the study of signaling and sign-use in living systems), combines the fields of poetics, complexity science, philosophy of language, aesthetics, and biology to investigate the nature of creativity, adaptation, learning, and intentionality.”
The Fulbright Specialist program is supported by the U.S. Department of State’s Bureau of Educational and Cultural Affairs (ECA) and World Learning, Non-US institutions interested in hosting Dr. Alexander can apply at https://fulbrightspecialist.worldlearning.org/eligibility-host-institutions/
My comedy screenplay about the surveillance state, set in the future, in Dallas, was just selected as a semi-finalist for Best Screenplay in the Austin Revolution Film Fest. Since the story is set in Texas, I am hoping that it will get picked up and produced by some hip Texans. Love my old home state. Read more.
The Equity Serve Foundation is proud to sponsor the Park City International Film Festival in order to promote the development of the arts as an increasingly influential vehicle for teaching values conducive to healthy families and an ethical society. The theme for the festival is “Elevating the Human Spirit.” Festival date: June 14 & 15, 2018
Spotlight Screenplay “Terrordise” by VN Alexander.
Terrordise is a very entertaining screenplay, definitely a must see. The story is unique, funny, and interesting. It has action, suspense, drama, mystery, sci-fi and of course comedy. Terrordise is your unconventional comedy, it has a very futuristic setting but with a very interesting twist in the plot that will get you glued on to your seats from the beginning until the end. The characters have unique and interesting personalities that gave spice to the screenplay. The structure of the story is very well made, the phasing was intense, and there was depth and moral in the story despite its comic façade. It is certainly a fascinating screenplay, you’ll laugh your heart out when you get to meet the Schwartz-Johnson family, who relocated from New York City to Dallas to live the dream of an out of this word paradise and security under the watchful eye of the I.C.U. The kind and compassionate Schwartz-Johnson family will uncover something that will change the course of their life forever.
I spent last week with fellow Public Scholars as our service (2015-2018) with Humanities New York comes to an end. Going forward, I may continue with my work, now acting as consultant on planning grants and action grants in art-science-humanities projects for any New York state based non-profit. Interested? Please apply here. From left to right: Ellen Gruber Garvey, Scarlett Rebman, Sally Roesch Wagner, Barbara Tepa Lupak, Anne Mosher, Susan Goodier, Dave Ruch, Victoria Alexander, Hallie Bond, Verdis LaVar Robinson, Antonio Pontón-Núñez, and Ryan Purcell.
Originally conceived of as a protest to war, Mother’s Day has become a marketing tool to boost consumer spending to give suck to the six or seven corporations that own practically everything. Now that Rosie the Riveter, maker of fighter planes and tanks, is the face of feminism, we tend to forget that the early feminists were anti-war activists. These days Clinton “feminists” want young women, like young men, to be required to register for the draft. More and more women today are proud to exercise the hard-won privilege of lopping mortars at meat targets, and pink-pussy-hatted feminists are appalled, not at the large number of civilians killed by U. S. supported forces worldwide, but by Trump’s attempt to keep transgender people from getting in on the killing. Continue reading